Celebrating the digital and screen-based motion design. Combining the fundamental unit of digital images—pixels—with the “Rama,” one of the gods in the epic tale in Hinduism. A representation to celebrate the “gods of pixels”. 

Pixorama serves as a platform to bridge the vibrant worlds of emerging talent and industry, fostering a unique symbiosis that promises to ignite innovation and collaboration. This gathering focuses on the conversation and connection between students and professionals within the creative design communities. 

Pixorama offers a journey through the latest trends, technologies, and artistic expressions. Whether you’re a student eager to learn from the best, a professional seeking to push the boundaries of what’s possible, or a company on the lookout for fresh talent, Pixorama is the gateway. Celebrating excellence, fostering education, and building a vibrant community dedicated to art, technology and design. 

Event Date:
20th – 21st June 2026 

Venue:
Stage 1, PJPAC, One Utama, Petaling Jaya

Theme: Just Play
In an industry often driven by deadlines, perfection, and constant optimisation, Just Play is a reminder to return to the joy of creating. This year’s Pixorama theme celebrates experimentation, curiosity, spontaneity, and the freedom to make without fear.

Within motion design and visual storytelling, some of the most exciting ideas come from moments of play, testing random keyframes, breaking systems, sketching nonsense, or following unexpected instincts. Play becomes a process of discovery, where mistakes turn into style, chaos becomes rhythm, and imagination moves without limitation. 

Just Play invites artists, animators, designers, and storytellers to reconnect with the playful spirit that first drew them into creating. It is about embracing exploration over expectation, process over pressure, and finding wonder in the act of making itself.

Speakers:
AINA MARIAH – Malaysia DAN MATUTINA – Philippines
DRIV LOO – Malaysia
EUGENE FOO – Malaysia
EVAN WIJAYA – Indonesia
GIANG A.K.A LEBACTAN – Vietnam
HASHMUKH KERAI – United Kingdom
HENDRA WARDI (KISAH BAWAH TANAH) – Malaysia
JAYEE LIM (MONKIDDO) – Malaysia
PAMELA TAN (POH SIN STUDIO) – Malaysia
PUNPITAN (STUDIO THALAMUS) – Thailand
ROY WANG (FACTORY) – Singapore 

Aina Mariah
Malaysia 
IG: @ainamariah 

Aina Mariah is a trailblazing Malaysian VFX specialist and creative content producer who has redefined digital storytelling for the social media age. Often hailed as the “female Sofyank,” Aina’s journey began during the 2020 lockdowns, where she taught herself complex visual effects through YouTube tutorials. Today, she is a celebrated editor at REV Media Group and the creator of the popular “Aina Tricks” series, where she demystifies the magic behind transitions, illusions, and high-end CGI for a global audience. 

Her technical prowess—ranging from Blender3D to After Effects—has earned her massive viral success, including a Spiderman-inspired stunt that garnered over 3 million views. In 2024, her impact on the industry was solidified when she received the Rising Star (Bronze) award at the d Awards. By blending educational tutorials with humorous, fantasy-inspired visuals, Aina is not just an influencer; she is a mentor for the next generation of digital artists, proving that world-class VFX is accessible to anyone with a screen and a spark of curiosity. 

Dan Matutina
Philippines
IG: @twistedfork 

Dan Matutina is an internationally acclaimed graphic designer, illustrator, and entrepreneur based in Manila. He is a founding partner of Plus63 Design Co. and the Hydra Design Group, a multidisciplinary collective that has redefined the Philippine design landscape. Known for a signature style that blends clean, angular geometry with warm, hand-painted textures, Dan’s work bridges the gap between “retro-futurism” and modern digital precision. 

In 2013, Dan became the first Filipino to receive the prestigious Art Directors Club (ADC) Young Guns Award in New York. His impressive portfolio includes collaborations with global giants such as Apple, Google, Samsung, Airbnb, and WIRED Magazine. Beyond commercial work, he is a dedicated advocate for the local creative community, serving as the Vice President of the Communication Design Association of the Philippines (CDAP). Through Plus63, he continues to push the boundaries of branding, from designing the identity of the University of the 

Philippines’ athletic program to prototyping furniture, proving that design is a powerful tool for both storytelling and problem-solving. 

Driv Loo
Malaysia
IG: @drivloo 

Driv Loo is a prominent figure in the Malaysian creative scene, best known as the founder and Creative Director of LIE (Little Ideas Everyday) and the visionary behind the Kuala Lumpur Art Book Fair (KLABF). Since establishing LIE in 2011 after a career in overseas advertising, Driv has championed an “experimental everyday” philosophy, leading his studio to win prestigious accolades including a D&AD Wood Pencil. His work spans brand identity, spatial design, and high-profile collaborations with brands like Mossery and Good Vibes Festival. 

In 2021, Driv launched KLABF to fill a void in the local “artist-run” marketplace. What began as a modest gathering has evolved into one of Southeast Asia’s premier creative events, drawing over 5,000 visitors and featuring international exhibitors from over 20 countries. Through both his studio and the fair, Driv remains a key catalyst in fostering a self-sustaining ecosystem for independent publishers, designers, and printmakers in Malaysia. 

Eugene Foo
Malaysia
IG: @wildwonder.works 

Eugene Foo is a highly versatile Malaysian artist, academic, and animation specialist with over two decades of experience in storytelling and digital illustration. He is the Creative Director of Wild Wonder Works and a former specialist at UTAR’s Faculty of Creative Industries. Eugene is perhaps best known as the director of the critically acclaimed animated short “Walinong Sari”, a 2D masterpiece that retells a legendary Pahang folklore using a unique visual style inspired by wayang kulit (shadow puppetry) and traditional Nanyang painting. 

His work is characterized by a deep commitment to Southeast Asian representation and a refusal to be bound by typical visual conventions. In 2022, his solo art exhibition, “Saya Seekor Dinosaur,” gained viral attention for its whimsical depiction of 

dinosaurs harmoniously coexisting with humans in 1980s Malaysia. By blending historical heritage with fantastical reimagining, Eugene continues to bridge the gap between education and industry, mentoring the next generation of animators while producing award-winning content that resonates on the global film festival circuit. 

Evan Wijaya
Indonesia
IG: @evanwijaya95 

Evan Wijaya is a prominent Indonesian graphic designer based in Jakarta, celebrated for his exceptional detail and his specialized impact on the film and branding industries. An alumnus of Universitas Pelita Harapan (UPH) where he was named “Best Graduate,” Evan first gained recognition as a key designer at the renowned studio Thinking*Room. There, he contributed to major rebranding efforts for heritage brands like Sarirasa Group (Sate Khas Senayan). 

Evan’s creative prowess truly shines in his passion for cinema. He has become a sought-after artist for film poster design and title treatments, working on critically acclaimed Indonesian productions such as Gadis Kretek (Cigarette Girl), Jatuh Cinta Seperti di Film-Film, and Agak Laen. In 2018, his global potential was cemented when he was named the Grand Prize Winner of the Adobe Hidden Treasures: Bauhaus Dessau competition. His design philosophy seamlessly integrates pop culture with historical and mythical references, proving that meticulous graphic craftsmanship can transform a commercial brief into a lasting piece of art. 

Giang a.k.a Lebactan
Vietnam
IG: @giang.it 

Giang Le Bac Tan (often known by the handle lebactan) is a distinguished academic and creative strategist at the forefront of Vietnam’s digital media evolution. As an Associate Lecturer in the School of Communication & Design at RMIT University Ho Chi Minh City, he specializes in interactive media, VJing, and projection mapping. Giang is also the founder of Vietnam Media Lab, a pioneering platform dedicated to elevating the technical and creative standards of the local media industry through specialized training and industry-led workshops. 

With a professional background spanning creative direction and digital media production, Giang bridges the gap between academic theory and high-end industry practice. His work often explores the intersection of technology and art, pushing his students and collaborators to experiment with generative visuals and immersive spatial experiences. At RMIT, he has been a key figure in initiatives like the “Beyond 1 & 0” showcase, celebrating a decade of digital media innovation in Vietnam. His dual role as an educator and entrepreneur makes him a vital catalyst in nurturing the next generation of creative talent in Southeast Asia. 

Hashmukh Kerai
United Kingdom
IG: @hashmukh 

Hashmukh Kerai (often known simply as Hash) is a London-based award-winning 3D artist and motion graphic designer celebrated for his vibrant, playful, and high-energy visual style. Transitioning from a background in film and production into the world of VFX, Hash has built a reputation for creating “bold, colorful art that radiates fun.” He is particularly well-known for his original character universe, Zlorps, a series of whimsical 3D creatures that celebrate diversity and unique individuality. 

With over a decade of freelance experience, Hash has collaborated with a prestigious roster of global brands, including Apple, Nike, Adidas, Samsung, Pepsi, and the BBC. His work has been recognized with honors such as the YunoJuno Freelancer of the Year award and multiple Hermes Creative Awards. Beyond his commercial success, Hash is a passionate advocate for the creative community, frequently serving as a speaker and curator to help shine a spotlight on South Asian talent within the global design industry. 

Hendra Wardi (Kisah Bawah Tanah)
Malaysia
IG: @kisahbawahtanah 

Hendra Wardi is the creator, managing director of Bawah Tanah Sdn Bhd, and the executive producer behind the breakout animated series Kisah Bawah Tanah. A creative entrepreneur dedicated to evolving the Malaysian animation landscape, Hendra’s vision is to bridge the gap between children’s cartoons and mature, young-adult storytelling. His flagship IP, which follows the “undead” adventures of 

skeleton best friends Zack and Sam, has gained significant acclaim for its “Gen-Z humor” and unique take on Southeast Asian urban legends. 

Under Hendra’s leadership, Kisah Bawah Tanah has transitioned from a 2018 MDEC Intellectual Property Creators Challenge winner to a high-profile co-production with Animasia Studio and Komet Productions. His work has even achieved international recognition, securing a Silver Award at the DigiCON6 Asia Awards in Tokyo. By reimagining traditional folklore through a comedic, “spooky-silly” lens, Hendra is successfully introducing Malaysian ghosts like the Pontianak and Toyol to a global audience, proving that local heritage can be a powerhouse for modern entertainment. 

Jayee Lim (Monkiddo)
Malaysia
IG: @itsmonkiddo 

Jayee Lim is a Malaysian illustrator, art director, and the visionary founder of Monkiddo, a vibrant character IP that has taken Southeast Asia by storm. A graduate of Dasein Academy of Art, Jayee transformed her passion for “doodling monsters” into a professional universe centered around SOSO, a spirited pink monster who navigates the relatable struggles of adulthood and Asian working culture. 

Known for her bold, vivid, and graphic style, Jayee’s work bridges the gap between personal storytelling and commercial appeal. Her brand has secured high-profile collaborations with global names like Converse, Fila, and Artbox Singapore, as well as local landmarks like Central i-City. Through Monkiddo’s webcomics, collectible toys, and animations, Jayee continues to inspire a new generation of creators to find “calm within the chaos” and turn their unique imagination into a thriving creative business. 

Pamela Tan (Poh Sin Studio)
Malaysia
IG: @pohsin_studio 

Pamela Tan is an award-winning interdisciplinary artist and architectural designer based in Malaysia, renowned for blurring the boundaries between art, architecture, and design. As the founder of Poh Sin Studio, she creates immersive spatial 

installations and sculptures that evoke “childlike wonder” and explore experiential narratives. 

A graduate of the University of Greenwich, her career was catapulted by the success of Eden, which won the “Best of the Best” Iconic Award from the German Design Council. From large-scale public landmarks like the Sunnyside Up MRT installation to intricate gallery pieces, Tan’s work invites the public to reimagine their relationship with the urban environment through a lens of curiosity and storytelling. 

Punpitan (Studio Thalamus)
Thailand
IG: @punpitan 

Punpitan (often known as ‘Pun’) is the visionary founder and Creative Director of Studio Thalamus, a Bangkok-based design powerhouse that specializes in narrative-driven visual identities and spatial experiences. Named after the part of the brain that acts as a relay station for sensory information, his studio reflects Punpitan’s philosophy: that design should not just be seen, but felt. He has carved a niche in the Thai creative industry by blending high-concept minimalism with deep cultural storytelling, often working with boutique brands, galleries, and urban development projects. 

A prominent figure in the Thai design community, Punpitan is a frequent collaborator at major regional events like Bangkok Design Week. His work is characterized by a “quiet intensity,” where every color choice and typographic detail serves a specific psychological purpose. Under his leadership, Studio Thalamus has gained a reputation for transforming complex brand strategies into elegant, tangible environments. By focusing on the “sensory bridge” between a brand and its audience, Punpitan continues to push the boundaries of how Thai design is perceived on the global stage. 

Roy Wang (Factory)
Singapore
IG: @factory1611 

Roy Wang is the Creative Director and founder of FACTORY (formerly Factory 1611), an award-winning multidisciplinary art and design studio with a strong presence in 

Singapore, Johor Bahru, and Shenzhen. Trained in fine arts from the age of three, Roy brings a unique “painterly” sensibility to the world of commercial design, often describing himself as a “graphic magician” who blurs the lines between functional design and expressive art. 

Under his leadership, FACTORY has evolved from a branding boutique into a full-spectrum experiential studio, handling everything from spatial and product design to high-stakes cultural projects. Roy’s portfolio is distinguished by major national assignments, including serving as the official designer for the National Gallery Singapore’s opening exhibitions and the Singapore Pavilion at the 58th Venice Art Biennale. In 2021, his team achieved global acclaim by winning the Red Dot: Best of the Best award for their work on the NTU ADM Travelling Show, solidifying Roy’s reputation as a visionary capable of turning strategic business communication into immersive human experiences.

Conference Schedule
DAY 1 – 20th June
11:00am – Opening
11:10am – Speaker 1
12:00pm – Speaker 2
12:50pm – Lunch Break (1 hour break)
2:00pm – Speaker 3
2:50pm – Speaker 4
3:40pm – Tea Time Break (30 min break)
4:10pm – Speaker 5
5:00pm – Speaker 6
5:50pm – Networking & Mingle
7:00pm – End Day 1

DAY 2 – 21st June
11:00am – Opening
11:10am – Speaker 7
12:00pm – Speaker 8
12:50pm – Lunch Break (1 hour break)
2:00pm – Speaker 9
2:50pm – Speaker 10
3:40pm – Tea Time Break (30 min break)
4:10pm – Speaker 11
5:00pm – Speaker 12
5:50pm – Networking & Mingle
7:00pm – End Day 2

ABOUT FILAMEN
Established in 2016, Filamen is a platform to gather all the artists, designers, and technical experts, fostering the exchange of ideas, expertise, and enthusiasm for the realms of visual arts and technology, all with the aim of raising awareness about projection mapping in Malaysia. For more information about them, please visit Filamen’s Facebook and Instagram.